Room, 2014 by Zahid Jiwa.
2 Minute Stimulation by Kasia Fudakowski.
Bust of a Woman (Marie-Thérèse) by Pablo Picasso in 1931.
Legs, 2012 by Daniel Dewar & Gregory Gicquel.
Porcelain Figurines by Martin Klimas.
Videogrep: Automatic Supercuts with Python by Sam Lavigne. "Videogrep is a python script that searches through dialog in videos and then cuts together a new video based on what it finds. The code is here on github. The script searches through a video’s associated subtitle file, identifies timestamps for the dialog and then uses the wonderful moviepy library to generate the new final cut. So, here is Jay Carney, the former Press Secretary, telling us what he can tell us."
Antena, 2013 by Krystian Truth-Czaplicki.
scene 2 by Kim Laughton.
PURPLE BEECH, 2011 by Marios Athanasiou. "Eight channel system, mixing desk, wireless microphones. Four wireless microphones have been attached and hidden on the branches of this Purple Beech tree. The sound is transmitted in a darkened room fifty meters away and is being transformed and abstracted in real-time. The audience sits in a circle of eight speakers."
Dancers, by Sára Iványi.
LEG#1; ARM#1, 2013 and FEET#1, 2013 by Pennacchio Argentato. Carbon-Kevlar and Resin.
Nancy Lupo
HANG HARDER, 2012 by Lena Henke.
There must be Something Really Really Good at the End of a Really Really Long Queue, 2014 by Kray Chen Kerui.
Catcerto, 2009 by Mindaugas Piečaitis. Catcerto for Nora The Piano Cat and orchestra, where Nora, the soloist, was brought in via video.
Social Pool, 2014 by Alfredo Barsuglia. An eleven-by-five-feet wide pool in the Southern California desert, open for anybody to use.
Perpetual Threshold, 2011 by Sterling Crispin.
Decoding Scape, 2012 by Lee Jeong Lok.
Simon Beck
Brain to Brain interface, 2014 by Anne de Vries.
On the nature of halogen light, 2013 by Joe Hamilton. Video HERE.